Love Poet of the Apocalypse
Bringing Radical Honesty

THE ʔASQANAKI PODCAST: ON TRYIN' TO BE A GOOD MAN WITH
RICHARD VAN CAMP
Photo of hands and bitterroot credit: Dr. Christopher Horsethief

The first episode starts off strong with Tłı̨chǫ “Uncle of Indigenous Literatures” Richard Van Camp. In this episode Richard shares the story “Show Me Yours” from his book The Moon of Letting Go and Smokii and Richard discuss Indigenous literatures, what it means to be a man and honouring ourselves and each other as babies we once were.
Listen on ACAST
Design: Krystal Strong
Photo credit: William Au
Photo of hands and bitterroot credit: Dr. Christopher Horsethief
Content: adoption, grief, funerals, northern lights, masculinity, archival work, cultural connection, reconnection, photography, short stories, Indigenous literatures, ceremony, medicine, love stories, bad timing.
Episode Credits
Thank you to Richard Van Camp and to Riverdale Recorders.
Thank you to our team, Sound Designer, Audio Engineer and Editor Greyson Gritt of Minotan Music Inc. and Producer Krystal Strong of Osum Artist Management.
resources for episode
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Richard's Website: richardvancamp.com
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Buy Richard's book "The Moon of Letting Go" which includes the story “Show Me Yours” featured in this episode.
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Why Indigenous Literatures Matter - Daniel Heath Justice
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Wheetago War - Spotted Fawn Productions
Guest Bio

Photo credit: William Au
He is a graduate of the En’owkin International School of Writing, the University of Victoria’s Creative Writing BFA Program, and the Master’s Degree in Creative Writing at the University of British Columbia.
He is an internationally renowned storyteller and best-selling author. His novel, The Lesser Blessed, is now a movie with First Generation Films and premiered in September of 2012 at the Toronto International Film Festival. He is the author of five collections of short stories, six baby books, three children’s books, five comics and much more.
Trying to be
A found poem from the transcripts of our episode on The ʔasqanaki Podcast


We acknowledge the support of the Canada Council for the Arts.